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I Love you

I Love You

I love you as the morning ⠀
warmth kisses my cold prayers, ⠀
love like the night that faded ⠀
has left the sky bare ⠀
from the dark corners of my dreams, ⠀
I wake and you’re there ⠀
into the fields of your kisses, ⠀
petals sweet-scented ⠀
into the forever of your ⠀
wonderful stare.⠀
For you my love, ⠀
for even if I die today, ⠀
I’ve lived within every moment of your love for me⠀

Copyright © Ernesto Mora@ThePOEMHOME All Rights Reserved.

Episode 6: Friend

In this episode, we listen to Ernesto Mora’s poem ” Friend”.

I’ve a friend I can’t explain, he is night and shade and pain,
gentle as he gnaws my bones, and his voice is as the rain.
His is the gloom, his berth and shroud, herald of lament, patron of the disavowed.
Moon so pale, stars collapsed, the baying wolves snarl and snap,
promenade in the fetid garden, hand in desecrated hand clasped.

Seated he on cathedra inverted, hassock skin and flesh perverted,
crown of darkest pumice stone, so reigns he, upon such indecorous throne.

His the voice of madness and woe, lyric that sets the sun, song of sorrow,
sonant of the midnight mass, perched on cloud of black, between the twilight and morrow.
Such derision for the soil, growth be burdened, wilt and spoil,
maiden dance with blade in hand, to the lord naught be loyal.

His the wine of supplication, vintner of the most foul lamentation,
bitter grapes with seed of ire, chalice filled with lies and liars.
His the feast of avarice, cuisinier of rapacious artifice,
On silver plate with silver-tongue,
you tie your noose, the hangman comes.

His the scent of fallen rain, petrichor, deluge of pain,
I’ve a friend I can’t explain, without face and without name,
folie and fatigue, his is ceaseless romp and play,
and the rain, it seems, never goes away…

Episode 4: Annabel Lee By Edgar Allan Poe

 

In this 4th episode of The Prose & Poesy Podcast, we listen to the reading of Annabel Lee By Edgar Allan, read by Ernesto Mora

Poetry of the Deprived

In unpleasant dreams, I’ve heard you weep
beneath the Umbrous willow trees
the creek does mourn your shade forlorn
you’ve laid your tired bones within the flow.

The sun has dreamt it’s final bow, among the sullen stage so dreary now,
midnight remains resolute upon your brow, the crepuscular vestige is your crown.

From the darkest eve, comes a fevered steed,
famished, wanton lust for the husk to feed.

To stare into the dismembered hours, the void of sorrow,
painful flesh devoured, I call your name unto the stars,
etched into the night once ours.

You come to me veiled in black, vested in the shroud of agony that scalds my flesh,
embrace my piteous alms, my derided and indecorous banquet,
from the black meadows a petulant fest.

Through the windows come cold whispers cavorting with anguished blasphemes,
you speak my name as if to maim,
my sanity canters away on mare which drinks from your streams.

Into my dream seeps vitriol, forsaken is the lamb at slaughter,
as you imbibe my tremulous life I slip downstream farther…

In the waters of your resolution, to drown me in the mire of confusion,
you and I litanize the poetry of the deprived.

Episode 3: Poetry Reading Sweet Magdaline

 

At night, when the fleeting dreams haunt my flesh and tear at my walls,
And the waking voices hold vigil on my fantasy, it is then, cloaked in the shroud of gloom that I see where you have gone.
Without regards to the fevered twilight, who bids no clemency to the maddening vision, into that damnation so willing I go.
A gait amid the scentless roses, a look into the blackest sky, and a cup of tea with the beast, bitter with the rotting leaves.
Gone is the smile, parting lips that once revered my flawed words.
Gone are the moments dipped in the cove of your eyes, that once beheld my fallible flesh.
Into that quixotic bog, shaded in the valley where my sleep offers ephemeral glimpses.

You sing to me with such disdain, I hear your wailing on the starry canvass.
Such misery it is to behold, the cries of famined hounds, and more the snapping bones within the maw, once sweet claret nectar has spilled from the ire.
My name parts the winds, and, as if upon winged desperation, rend my pleasant rest apart and drown my lungs with resentment.
Do I drink from this irony? Indulge in this font of putrescence?

From below, comes the bellowed breathing from parched throat agape, lusting for vengeful chalice of a sacrilegious vintner.
Oh what mournful crying!
Tear my weeping eyes from me!
What songbird comes from the depths with such a cadenza? Such pitiful an aria as to drive the flocks from port, and the milk to spoil.
Sweet Magdaline!

Afire is my skin that swells with my contrition, as surely the lakes of perdition rage on feasted bones and souls!
These hands that once traced your beauty, these that snuffed the candle from your eyes!
They break from within as your intonation beckons the darkness come!
The choir now at my bedroom door doth rattle my peace!
And the mighty sword from which I slip, slip deeper into that streaming brook, where folie and fancy bear no resentment, and where from the stony cliffs you sing into my dimming light.

Sweet Magdaline, such delicate features now rot away, agonizing your every note.
Sweet Magdaline, I now sing from the shade as well, where at your feet I plead with the unforgiving.

Despite the naivete of young love
Your tepid body you pledged to me, sweet Magdaline
So your body I took
Despite your callous apathy and misdeed
Your heart you swore to me, sweet Magdaline
So your heart I took…

Why is Art – A philosophical standpoint on the allure of art

Why is Art

 

Essentially, art is and will always be subjective. It is the uniqueness within the mysteries of our very own judgments and thought processes that allow differing interpretations of what exactly is a spectacular beauty, a true ‘piece of art’, and what we may dismiss as a failed attempt. The philosophical question remains, perhaps eternally unanswerable; ‘Why do we esteem certain creations as so-called art?’. I dare attempt to answer this, albeit, fully understanding that even my answer is subjective and may not, nay, WILL NOT, adhere to most if not anyone at all and their own interpretation of their reality.

It is a secretive conspiracy within our own depths, within the layers that have yet to be exposed, those layers that manage to somehow send chills down your spine when you hear a particular passage in a musical composition, yet placing a truly meaningful reason as to why in words seems a fleeting exercise in futility. It’s as though as we evolved as a species and became more and more cognizant of our existence, and the ever-growing mystery as to what is expected from our perceivable time here, we have become less and less aware of the primal awe that our predecessors may have had when, for example, the recognition between the vibrant hues of colors in an early meadow, with the varying flora, and how their organic dynamics presented as a visual attractor. Perhaps our ancestors were in awe of such stark beauty and were able to determine exactly why it was that the perception of different refracting light patterns was moving? It’s as though the beauty that is art is destined to fade over time as we become accustomed to certain ‘novel’ patterns that become ‘not-so-novel’ with its proliferation, and as a result, the wonder dies within our hearts, the way that the illusion collapses when you’ve watched a movie for the second time, and it doesn’t provide the same level of entertainment once the twist is known to you ahead of its presentation. We are destined to weep at the altars of all our creations.

But there is hope. It is in the form of the very essence that itself drives art into being disremembered and obsolete. It is in the form of the perpetual state of dreams that inspire new work in all artists and the mystery into how and why it is that “art is art”, the same unending font of disillusion is the same ever-yielding font of creation, and as long as there is breath in every artist, there is aspiration to create and present, to captivate with our very own and unique amalgamations of our deepest mysteries.

So, at the risk of sounding tiringly philosophical; What is art? It is the ancient mystery that dwells forever out of reach from understanding, but always within our spectrum of emotions.

Copyright © Ernesto Mora@ThePOEMHOME All Rights Reserved.

Episode 2: Poetry Reading ‘Hearts of Bitter Harvest’

In this 2nd episode of ThePOEMHOME podcast, we listen to the reading of Ernesto’s poetry “Hearts of Bitter Harvest”

In barren field, sitting upon marble black, painted upon a piteous facade, a farcity so contrived as to mock its own insipidity.
Along its flesh, torn are the moments as leaf from tomes, bidding the warmth that once kindled upon the very sun, a contemptuous parting.
From the roots, the soil so deprived and imbued with disdain, so to sow upon the mud would only serve to reap the loathing sentiment.
Arid is my earth, a thrall to your words so dulcet, and marred is the fruit, the hearts of bitter harvest.

Into the folding nights my vines extend, and caress upon its tendrils your pulsing breast.
What dormant secrets take abode within your countenance, that whittle away at elation and whet condemnation of my soul.
To gaze upon your truth would be divine, to satiate the withering leaf, and bring forth to this parched parcel, the deluge from your sorrows.
Arid is my earth, penitence to a wretched fluora, and plagued is the crop, the hearts of bitter harvest.

Tend to this meadow, so ashen with the ardent bellows, where dreams wither upon the brow and tomorrow is never veracious. Taunting, untruthful, vain and insidious are the pledges that are never consummated. So upon the sun I scribe in futility, a declaration of my devotion, an intimate portrayal versed in emotion, and whispers delicately spoken from the hearts of bitter harvest, inexorably broken.

The waters that flowed have long since dried, the drought that bends the stalk in agony.
And unrelenting is the howl of the acrid dust, imbued within the winds of profane idiom, that flay the skin with merciless battery.
So poignant is the deplorable rose, whose color is flush with unending misery, who blooms but only for a kiss so as to falsely absolve the hands that thrust the rooted love from the faded terra, the hands that bled once pricked by the dessicated thorn yet failed to acknowledge their own mortal paradox.

Among the vines the hands did bleed, and from that crimson wine so bittersweet, the dying morning glory did recede, against the dimming cries for clemency.
Arid is my earth, no songs sway discourse, the sweet aroma of dissonant bounty, the hearts of bitter harvest.